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Light, colour and perceptual fallacies- Miranda Smith’s practice is driven by a fascination with non-conscious experience. Smith creates art that uses our perceptual fallacies to generate heightened experience through site-specific installation, photography, sculpture and painting. Her work is created using optically complex materials, including light, dichromatic glass, mirror, and magnifying PVC. Drawing on affect theory, philosophy and biology as stimulus for conceptual development and production- Smith aims to involve the viewer in questioning their own experience of her work.

Miranda Smith respectfully acknowledges the Wurundjeri people of the Kulin Nation, the traditional owners of the land on which she lives and works. She would also like to pay respect to elders, past, present and emerging.

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